Details

Dreams and conflicts : the dictatorship of the viewer. La Biennale di Venezia, 50th international art exhibition

668 S.

zahlr. Ill.

Einbändige Monographie

88-317-8236-3

Biennale, Ausstellung, zeitgenössische Kunst, International, Besucher, Publikum, Kurator, Künstler*inartist, Bayrle, Thomas, Floyer, Ceal, Art and Language <Künstlervereinigung>, Irwin <Künstlervereinigung>, Yang, Zhenzhong, RAQS Media Collective, Abramovic, Marina

Jeppe Hein, Damiàn Ortega, Jean-Luc Moulène, Jimmie Durham, Urs Fischer, Hélio Oiticica, Meyer Vaisman, Robert Smithson, Pedro Reyes, Elizabeth Peyton, Marjetica Potrč, António Ole, Cildo Meireles, José Antonio Hernández-Diez, Rachel Harrison, Fernanda Gomes, Gego, Pei-Ming Yan, Lei Yan, Jun Nguyen-Hatsushiba, Gimhongsok, Soo-Ja Kim, Yong Ping Huang, Jota Castro, Fei Cao, Guogu Zheng, Naḥûm Ṭēvēt, Mladen Stilinović, Simon Starling, Florian Pumhösl, Roman Opalka, Yuri Leiderman, Josef Dabernig, Pawel Althamer, Zarina Bhimji, Kader Attia, Laylah Ali, Reis Pedro Cabrita, Dana Schutz, Eva Koch, Amelie von Wulffen, Magnus von Plessen, Jorge Queiroz, Tatiana Trouvé, Michal Helfman, Enrico David, Monika Sosnowska, Bojan Sarcevic, Ghazel, Paulina Olowska, Gabriel Kuri, Darren Almond, Micol Assael, Thomas Demand, Andy Warhol, Rudolf Stingel, Shirana Shahbazi, Deimantas Narkevičius, Rosemarie Trockel, Pia Rönicke, Tobias Rehberger, Charles Ray, Richard Prince, Gabriel Orozco, Cady Noland, Lucy McKenzie, Kerry James Marshall, Carsten Höller, Piotr Janas, Damien Hirst, Johanna Billing, Dan Graham, Robert Gober, Isa Genzken, Jonas Dahlberg, David Weiss, Peter Fischli, Sam Durant, Ellen Gallagher, Tacita Dean, Glenn Brown, David Hammons, Matthew Barney, Franz Ackermann